‘In the mid-1930s, Walter Benjamin posed the question of the relation of art to the dominant representational technology of his time: photography and film. To return to the artwork essay today in the spirit in which it was written is to ask the same question in respect of the hegemonic representational technology of our own time: the digital. Benjamin found that the medium of photography and film had dissolved the auratic quality of art. Digital technology has dissolved the very category of ‘medium’ itself.’
Walter Benjamin’s essay of cultural criticism ‘The Work of Art in the Age of Mechanical Reproduction’ has become a ‘classic’ text, one which resonated through the twentieth century and beyond. In this succinct and pointed new essay, the artist and writer Victor Burgin rereads Benjamin’s 1935 text, to elaborate a new argument contending that the camera today is profoundly imbricated in that which is not visible.
DISCOURSE is a series of small books in which a theorist, artist, or writer engages in a dialogue with a theme, an artwork, an idea, or another individual across an extended text. Explore the full series here.
Paperback with flap
12.5 x 19.5 cm, 40 pages
October 2022
Come dice il saggio: il bisognino fa correr la vecchietta. Dopo il forzato lock down del 2020 (purtroppo!) abbiamo imparato a fare spedizioni sicure, super veloci ed elegantissime. Perché voi a casa vi meritate giustamente il meglio.
Tutti gli acquisti sono impacchettati con carta Todo Modo riciclata. Anche le buste sono in pvc riciclato e, ovviamente, riciclabile. Più sicuri i vostri acquisti, più sicuro l'ambiente, più felici tutti!
Che cavolo di competizione scorretta! Ma voi per chi fareste il tifo in un'ipotetica finale di Wimbledon: Federer o Filini ? Ma è ovvio, Filini! Perchè è più simpatico, più sincero, più umano, più vicino a tutti noi. E perchè ne ha molto più bisogno di Federer.
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