Lives Shaping Works Making Life
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Autore
Xavier Le Roy
Editore
bruno
Anno pubblicazione
2025
Pagine n.
448
Lingua
Eng
Tradotto da
Lives Shaping Works Making Life is a collection of 24 transcribed public conversations titled Practices: Strategies and Tactics, led by Xavier Le Roy and hosted by the Institute for Applied Theater Studies in Giessen between November 2022 and November 2024. These dialogues bring together artists and cultural workers creating a space where Xavier Le Roy's work engages in conversation with the experiences of each guest. Each encounter follows the same set of 14 questions—printed on the book's cover—which serve as a flexible framework guiding the conversations. Through the careful editing of Giulia Casartelli, Daniel Cordova, and Livia Andrea Piazza, these conversations have been transformed into vivid, polyphonic texts that invite further reflection and offer a point of departure for expanding the dialogue beyond the original live encounters.
Xavier Le Roy holds a doctorate in molecular biology from the University of Montpellier, France, and has worked as a dancer and choreographer since 1991. He has performed with diverse companies and choreographers. From 1996 to 2003, he was artist-in-residence at the Podewil in Berlin. In 2007-2008 he was "Associated Artist" at Centre Chorégraphique National de Montpellier, France. In 2010 Le Roy is an Artist in Residence fellow at the MIT Program in Art Culture and Technology (Cambridge, MA). Through his solo works such as "Self Unfinished" (1998) and "Product of Circumstances" (1999), he has opened new perspectives in the field of choreographic art.
His latest works such as the solo "Le Sacre du Printemps" (2007), the group piece "low pieces" (2011), and works for exhibition spaces such as "production" (2011) created together with Mårten Spångberg, "untitled" (2012) for the exhibition 12 Rooms and "Retrospective" first realized in 2012 at the Tapiès Foundation-Barcelona, produce situations that explore the relationships between spectators/visitors/performers and the production of subjectivities.
His latest works such as the solo "Le Sacre du Printemps" (2007), the group piece "low pieces" (2011), and works for exhibition spaces such as "production" (2011) created together with Mårten Spångberg, "untitled" (2012) for the exhibition 12 Rooms and "Retrospective" first realized in 2012 at the Tapiès Foundation-Barcelona, produce situations that explore the relationships between spectators/visitors/performers and the production of subjectivities.